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Faculty
Faculty

Guericke Christopher Royal

Associate Professor – Jazz Theory, Jazz Arranging, Music Technology; Coordinator of Jazz Studies with Music Technology Emphasis

  • Department of Music
  • College of Fine Arts

Biography

Jazz Theory, Jazz Arranging, Music Technology; Coordinator of Jazz Studies with Music Technology EmphasisChilders Hall, Room 3036(202) 806-7137groyal@howard.edu Dr. Guericke C. (Chris) Royal, Associate Professor, served as Chair of the Department of Music from 2008-2012, during its successful reaccreditation of 2010 by the National Association of Schools of Music (NASM) and during the Howard University PCAR process. He remains active as an accreditation site evaluator and consultant for NASM.At Howard University, Dr. Royal has been active on many committees in COAS, including the Executive Committee (during and after the Music Chair position), the Technology Committee (Chair), The Nominations and Elections Committee (Chair), and the Distinguished Faculty Awards Committee (Chair), as well as on several ad hoc committees. He has also served on the Faculty Senate Committee on Committees and as a panelist for Faculty Grievances.He earned the degrees Bachelor of Music (B.M.), cum laude, and Master of Music (M.M.) at Howard University, and Doctor of Musical Arts (D.M.A.) from the University of Maryland School of Music. Additionally, he studied Trumpet Performance and Orchestration at the Peabody Conservatory of Music and Oberlin College Conservatory of Music. He was the winner of multiple Downbeat Magazine College Awards for Extended Composition, Jazz Arranging and Jazz Improvisation.Professionally, Dr. Royal has performed on trumpet in concert and/or televised performances and recordings with Henry Mancini, the Duke Ellington Orchestra under Mercer Ellington, Whitney Houston, Lionel Hampton, the Temptations, Johnny Mathis, Stevie Wonder, Anita Baker, Barbra Streisand, Donnie McClurkin, Petula Clark, Dionne Warwick, and others. He continues to be active as a freelance trumpet performer for musicals, recordings, and concerts in many different genres.His many theatrical credits include Five Guys Named Moe, Grease, The Hot Mikado, Sophisticated Ladies, South Pacific, and The Gospel at Colonus (Original Broadway cast and recording). Artist-in-Residence for the Smithsonian Institution's The Music of Louis Armstrong and the Hot Five/Seven 1926-1931. Featured soloist with the Smithsonian Jazz Masterworks Orchestra, the National Symphony Orchestra, the Peabody Ragtime Ensemble, the Baltimore Jazz Orchestra, and the Soulful Symphony.Dr. Royal composed and arranged music for the 1996 Summer Olympic Games and the TV series America's Most Wanted, as well as many theatrical and recording productions, such as the Helen Hayes Award winning production of The Resistible Rise of Arturo Ui at the Catalyst Theatre in Washington, DC. A second collaboration with Catalyst produced the critically acclaimed Roundheads and Peakheads, in which he again composed all new music. He also composed and performed the music for the opening session of the Nancy Hanks Lecture on the Arts honoring Ken Burns. Dr. Royal is also in demand as a studio arranger and as an independent audio recording, mixing, and mastering engineer.Dr. Royal holds active memberships in the American Federation of Musicians (AFM), the Audio Engineering Society (AES), the American Society of Composers, Authors, and Publishers (ASCAP), NARAS (The Grammy Foundation), and MENC: The National Association for Music Education.

Education & Expertise

Education

Trumpet Performance

D.M.A.
University of Maryland College Park

Master of Music Jazz Studies (Jazz Arranging)

M.M.
Howard University

Bachelor of Music Jazz Studies

B.M.
Howard University

Expertise

Music Technology, Music Recording, Jazz Arranging, Trumpet Performance

Academics

Academics

Jazz Theory I and II

Jazz Arranging I and II and Graduate

Music Technology I and II, and Graduate