Bachelor of Arts
Media Studies and Studio Art
University of Virginia
2005
Akosua Adoma Owusu is an award-winning filmmaker, producer, and educator. Her cinematic essays and experimental films explore the complex intersections of identity, often portraying the ‘triple consciousness’ of African immigrants in the United States. Owusu’s work has screened extensively at festivals and venues worldwide, including the New York Film Festival, International Film Festival Rotterdam, Locarno International Film Festival, Toronto International Film Festival, BFI London Film Festival, Ann Arbor Film Festival, BlackStar Film Festival, CCA Wattis Institute, Flaherty Seminar, Studio Museum in Harlem, Anthology Film Archives, MoMA, and African Film Festival, Inc. in New York. In 2015, IndieWire recognized her as one of six “Avant-Garde Female Filmmakers Who Redefined Cinema.”
Owusu’s films have been featured in ARTFORUM, Frieze, e-flux journal, Black Camera, Film Comment, and the International Review of African American Art. Her film KWAKU ANANSE (2013) was well-received at Berlinale Shorts, winning the 2013 Africa Movie Academy Award and later screening at the 59th Venice Biennale. RELUCTANTLY QUEER (2016) was also selected for Berlinale Shorts and nominated for the Teddy Award. Her films are currently streaming on PBS, The Criterion Channel, and MUBI and are distributed by Grasshopper Films. Her work is part of the permanent collections at the Whitney Museum of American Art, Centre Pompidou, and the Fowler Museum at UCLA, among others.
Owusu has received fellowships and grants from numerous institutions, including the Film at Lincoln Center Award for Emerging Artists (2020), Villa Sträuli residency (2019), Goethe-Institut Salvador-Bahia (2018), Camargo Foundation (2016), Guggenheim Memorial Foundation (2015), MacDowell Colony (2013), and Creative Capital (2012). She earned a BA in Media Studies and Studio Art from the University of Virginia and an MFA in Film and Video and Fine Art from CalArts in 2008.
In 2021-2022, Owusu served as the Robert Gardner Fellow at Harvard University’s Department of Art, Film, and Visual Studies. She has also taught at Georgetown University, Northern Virginia Community College, Pratt Institute, National Film And Television Institute (NAFTI), and the MFA Summer Program at Bard College. In 2023, she served as an Arts Envoy for the U.S. Embassy in Ghana and has participated on juries and selection committees for numerous film organizations. She is currently an Assistant Professor in the Cathy Hughes School of Communications, Department of Media, Journalism, and Film at Howard University.
Media Studies and Studio Art
University of Virginia
2005
Film and Video
California Institute of the Arts
2008
Fine Art
California Institute of the Arts
2008
2022 Film Study Center Fellowship, Harvard University
2022 59th Venice Biennale, Italy
2021-2022 Robert Gardner Film Study Fellowship, Harvard University
2020 Lincoln Center Awards for Emerging Artists
2019 Villa Sträuli filmmaker-in-residence, Internationale Kurzfilmtage Winterthur
2019 Medien Patent Verwaltung AG Prize, Locarno Film Festival
2019 Special Mention, Videoex International Experimental Film & Video Festival
2018 Goethe-Institut Vila Sul Artist-in-Residence, Salvador-Bahia, Brazil
2018 Oberhausen Film Seminar Fellowship
2016 Best International Short, Baltimore International Black Film Festival
2016 Camargo Foundation Residency
2015 John Simon Guggenheim Foundation Fellowship
2015 Tribeca All Access Grant
2013 MacDowell Colony Fellowship
2013 Arte France International Prize, Durban FilmMart
2013 Africa Movie Academy Award
2012 Tom Berman Award for Most Promising Filmmaker, Ann Arbor Festival
2012 Art Matters Grant
2012 Locarno Film Festival, Open Doors co-production lab
2012 Sarah Jacobsen Film Grant
2012 Creative Capital Foundation Film/Video Fellowship
2011 Focus Features Africa First Award
2011 Best Experimental Short, Expresion en Corto Film Festival
2010 Produire au Sud Workshop, Nantes, France
2010 Featured Artist, 56th Robert Flaherty Film Seminar
2009 Best Documentary Short, Chicago Underground Film Festival
2009 Best Documentary Short, Athens International Film & Video Festival
2008 Academy of Motion Pictures Arts and Sciences Grant, CalArts
Moses, Serubiri (2023), e-flux journal issue #137 (June 2023) "Reluctantly Queer Akosua Adoma Owusu and Kwame Edwin Otu"
U.S. Embassy Ghana (2023), "U.S. and Partners Celebrate International Women’s Day"
U.S. Embassy Ghana (2023), "Women in Motion Film Festival Accra"
Tsang, Miguel (2023), West Potomac: The Wire. "Celebrated Alexandria Filmmaker Visits West Po"
Guest, Haden (2022), Harvard Film Archive. "An Evening with Akosua Adoma Owusu"
MUBI Specials (2022), "Akosua Adoma Owusu: The Hair Trilogy"
Dozier, Ayanna (2022), Program notes. "Alchemy Film & Arts Focus: Akosua Adoma Owusu"
Peterson, Vanessa (2022), Frieze. "Preview of the 2022 Venice Biennale Part Two: ‘The Milk of Dreams"
Peterson, Vanessa (2022), Frieze. "The Collective Feminist Agency of ‘The Milk of Dreams"
Harvard University Robert Gardner-FSC Fellowship (2021). "Akosua Adoma Owusu Names 2021-22 Gardner Fellow"
The Criterion Channel’s February 2021 Lineup (2021). "Short Films by Akosua Adoma Owusu Featuring a new introduction by the filmmaker"
PBS Episode 5 (2020), "Lincoln Center Awards for Emerging Artists 2020"
Nguyen, Kim (2019), CCA Wattis Institute. "Akosua Adoma Owusu: Welcome to the Jungle"
Robinson, Kristina Kay (2019), Burnaway. "Good Hair: Akosua Adoma Owusu at the CAC, New Orleans"
Siegel, Josh (2019), MoMA. "Screening: Akosua Adoma Owusu: Welcome to the Jungle"
Johnson, Grant (2019), Artforum. "Interview: Akosua Adoma Owusu talks about triple consciousness"
Collymore, Nan (2019), Contemporary&. "Akosua Adoma Owusu: Welcome to the Jungle Beauty and Power in Black Hair Culture"
American Documentary (2019), "Queer Shorts: Reluctantly Queer"
Sullivan, Dan (2019), Film Comment. "Rotterdam 2019 Dispatch"
Young, Neil (2019), Modern Times Review. "Above us, About us: Two new documentaries from Rotterdam"
Sicinski, Michael (2019), Letterboxd. "Review: Pelourinho, They Don’t Really Care About Us"
Hotchkiss, Sarah (2019), KQED. "At the Wattis, the Aftermath of an Invasion and a Kaleidoscope of Black Experience"
Garcia, Jemina (2018), FEM Magazine. "The Triple Consciousness of ‘On Monday Last Week’ (2018)"
Gill, Qila (2018), BFI London. "Pain, pansexuality and afrofuturism: 3 films about the body"
Evans, Bec (2017), DAZED. "Ten experimental filmmakers tackling the world’s big topics"
Ewins, Michael (2016), Sight & Sound Magazine. "BFI: The best films of 2016"
Cameron, Ewan (2016), Little White Lies. "Every film by a black director at the 2016 BFI London Film Festival"
Bode, Katie (2015), Contemporary Art Review. "Njideka Akunyili Crosby and Akosua Adoma Owusu at Art + Practice"
Rochester Art Center (2015), Media Beat. "Akosua Adoma Owusu: Existential Crisis"
James, Jamillah (2015), Hammer Museum. "Off-Site Program: In Conversation: Njideka Akunyili Crosby and Akosua Adoma Owusu"
James, Jamillah (2015), Art+Practice. "In Conversation: Njideka Akunyili Crosby and Akosua Adoma Owusu with Jamillah James"
Page, Aubrey (2015), Indiewire. "6 Avant-Garde Female Filmmakers Who Redefined Cinema"
AFP - Agence France Press (2013), "Filmmaker hoping to rejuvenate Ghana's dilapidated old cinemas"
Sutton, Kate (2013), Artforum. "CRITICS’ PICKS: Akosua Adoma Owusu Art+Practice"
Kendall, Nzingha (2013), Black Camera. "Commentary: Haunting in Akosua Adoma Owusu’s Short Experimental Films" p. 232-236
Finkelstein, David (2011), Film Threat. "DREXCIYA"